All Govert flinck Oil Paintings

Dutch Baroque Era Painter, 1615-1660 was a Dutch painter of the Dutch Golden Age. Born at Cleves, he was apprenticed by his father to a silk mercer, but having secretly acquired a passion for drawing, was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszon, a Mennonite, better known as an itinerant preacher than as a painter. Here Flinck was joined by Jacob Backer, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of Rombertus van Uylenburgh, whose daughter Saske married Rembrandt in 1634. Other members of the same family lived at Amsterdam, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse with the Ulenburgs. Certainly Joachim von Sandrart, who visited Holland in 1637, found Flinck acknowledged as one of Rembrandt's best pupils, and living habitually in the house of the dealer Hendrik Uylenburg at Amsterdam. For many years Flinck laboured on the lines of Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a history painter, however, he looked to the swelling forms and grand action of Peter Paul Rubens, which led to many commissions for official and diplomatic painting. Flinck's relations with Cleves became in time very important. He was introduced to the court of the Great Elector, Friedrich Wilhelm I of Brandenburg, who married in 1646 Louisa of Orange. He obtained the patronage of John Maurice of Nassau, who was made stadtholder of Cleves in 1649. In 1652 a citizen of Amsterdam, Flinck married in 1656 an heiress, daughter of Ver Hoeven, a director of the Dutch East India Company.
 

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Govert flinck Angels oil on canvas


Angels
Angels
Painting ID::  67371
  Angels announcing Christ's birth to the shepherds 1639 Oil on canvas, 160 cm x 196 cm Louvre, Paris
  Angels announcing Christ's birth to the shepherds 1639 Oil on canvas, 160 cm x 196 cm Louvre, Paris

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Govert flinck Curius Dentatus Preferring Turnips to Gold oil on canvas


Curius Dentatus Preferring Turnips to Gold
Curius Dentatus Preferring Turnips to Gold
Painting ID::  71582
  1656 Oil on canvas 480 x 370 cm (188.98 x 145.67 in)
  1656 Oil on canvas 480 x 370 cm (188.98 x 145.67 in)

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Govert flinck Curius Dentatus Preferring Turnips to Gold oil on canvas


Curius Dentatus Preferring Turnips to Gold
Curius Dentatus Preferring Turnips to Gold
Painting ID::  72775
  Date 1656 Medium Oil on canvas Dimensions 480 X 370 cm (188.98 X 145.67 in) cyf
  Date 1656 Medium Oil on canvas Dimensions 480 X 370 cm (188.98 X 145.67 in) cyf

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Govert flinck Portrait of Margaretha Tulp oil on canvas


Portrait of Margaretha Tulp
Portrait of Margaretha Tulp
Painting ID::  83598
  Date 1655(1655) Medium Oil on canvas Dimensions Height: 138 cm (54.3 in). Width: 104 cm (40.9 in). cjr
  Date 1655(1655) Medium Oil on canvas Dimensions Height: 138 cm (54.3 in). Width: 104 cm (40.9 in). cjr

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Govert flinck Angels Announcing the Birth of Christ to the Shepherds oil on canvas


Angels Announcing the Birth of Christ to the Shepherds
Angels Announcing the Birth of Christ to the Shepherds
Painting ID::  84583
  Date 1639(1639) Medium Oil on wood Dimensions Height: 160 cm (63 in). Width: 196 cm (77.2 in). cjr
  Date 1639(1639) Medium Oil on wood Dimensions Height: 160 cm (63 in). Width: 196 cm (77.2 in). cjr

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     Govert flinck
     Dutch Baroque Era Painter, 1615-1660 was a Dutch painter of the Dutch Golden Age. Born at Cleves, he was apprenticed by his father to a silk mercer, but having secretly acquired a passion for drawing, was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszon, a Mennonite, better known as an itinerant preacher than as a painter. Here Flinck was joined by Jacob Backer, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of Rombertus van Uylenburgh, whose daughter Saske married Rembrandt in 1634. Other members of the same family lived at Amsterdam, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse with the Ulenburgs. Certainly Joachim von Sandrart, who visited Holland in 1637, found Flinck acknowledged as one of Rembrandt's best pupils, and living habitually in the house of the dealer Hendrik Uylenburg at Amsterdam. For many years Flinck laboured on the lines of Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a history painter, however, he looked to the swelling forms and grand action of Peter Paul Rubens, which led to many commissions for official and diplomatic painting. Flinck's relations with Cleves became in time very important. He was introduced to the court of the Great Elector, Friedrich Wilhelm I of Brandenburg, who married in 1646 Louisa of Orange. He obtained the patronage of John Maurice of Nassau, who was made stadtholder of Cleves in 1649. In 1652 a citizen of Amsterdam, Flinck married in 1656 an heiress, daughter of Ver Hoeven, a director of the Dutch East India Company.

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